Rosemary McCarter is a classical ballerina who began her training as a child in Rhode Island. After 10 years of study she was selected to study abroad for two years at the International School of Ballet, Split Yugoslavia, and became a professional ballerina in the Yugoslavia State Ballet.
Ms. McCarter studied in New York at American Ballet Theater School and the Boston Conservatory of Music in Boston, Massachusetts. She was a staff teacher at the Phoenix School of Ballet in Phoenix Arizona under the direction of Mr. Kelly Brown. Ms. McCarter organized and directed the Interfaith Lithurgical Dance Group in Scottsdale Arizona and she was the guest speaker at the Rocky Mountain Sacred Dance Guild in Denver, Colorado.
Ms. McCarter has owned and operated ballet schools for the past 31 years and has held a position of Dance Lecturer at the University of California, Irvine. Ms. McCarter was affiliated with the Ice Chalet of Costa Mesa, as Ballet Teacher and Choreography Coach to the competitive skaters. She was the founder and Artistic Director of the Pacific School of Ballet in Laguna Hills, California. Ms. McCarter’s daughters, Elizabeth and Celeste are both past members of the Joffrey Ballet Company.
With years of experience in Ballet, Jazz, Pointe, and Contemporary, Brenly Elston brings technique and mastery to every class she teaches.
Anthony Jackson (AJ) has danced in EQUITY, AGMA, AFTRA and SAG productions. He has danced principle roles in ballets and contemporary works set for him and toured the country extensively. Anthony has danced as a soloist with Los Angeles Opera, Opera Pacific and Houston Grande Opera. He has danced with many repertory companies here in Southern California and taught through out the US at University and Conservatories. AJ is pleased to join the staff at Corona Dance Academy and is delighted in being a part of the students development as dancers and young adults here at CDA.
Nancie Johnson began dancing at the age of seven under the direction of Cynthia Young and Charles and Phillip at Le Studio, the home of the Pasadena Dance Theatre. She was accepted to several summer intensive programs including Pacific Northwest Ballet. She was asked to stay year round as an apprentice to the Hartford Ballet Company in Connecticut. While at California State University, Long Beach on a dance scholarship, she continued training under Rebecca Wright, a former dancer with American Ballet Theatre. Other teaching influences include David Wilcox, Truman Finney, Cecilia Hering, and Charles Maples. Nancie performed with Los Angeles Classical Ballet, Golden State Ballet, and Redlands Festival Ballet, performing in productions such as the Nutcracker, La Fille Mal Gardee, Cinderella, Copellia, Faust, Pas De Quatre, and Don Quixote. She also performed in the Glory of Easter at the Crystal Cathedral. She has choreographed for Long Beach Ballet Theatre, Long Beach Ballet Arts Center’s pre-professional performing company. Two of her pieces were chosen and performed at Regional Dance America. Nancie is excited to be teaching again after taking time off to raise her twins, who are the joy of her life.
Traci- Marie Bunn had her first taste of the spotlight at the young age of three and since then she had never turned away the opportunity to perform. Growing up in her neighborhood dance studio she began participating in dance competitions at the age of five and quickly found a love of Tap and Jazz, her talented blossomed. Traci began adding other dance styles to her repertoire in High School. Hip Hop and Contemporary began to make their appearance and continued through out college. She attended Fullerton college where her love of dance turned into a passion for teaching and it wasn’t long before she realized this is what she was meant to do. During the past 9 years, Traci has taught at several dance studios and even coached a high school dance team where she taught various styles including Tap, Jazz, Modern, Hip Hop, Technique as well as African.
Started dance at the age of 8, Nom-L began choreographing at the age of 10. His roles include Antelope Valley Ballet, “The Nutcracker,” “Cinderella.” Choreography for Disney’s Hollywood Records music video. Nom-L has also participated as a back up dancer. Among his many accomplishments, he has also judged company dance teams, College dance teams, as well as high school dance teams. He studied for several years in Ballet, Jazz, Lyrical, Hip Hop, Modern as well as Contemporary.
Camilla is a graduate of the Kirkwood Academy of Performing Arts in Vancouver, Canada, where she received her Advanced R.A.D. (Royal Academy of Dance, London, England) diploma as well as her R.A.D. Teacher’s diploma. During her many years of teaching at Kirkwood, her students won numerous awards in festivals and competitions. She also trained at the Royal Academy of Dance in London, England, with Reid Anderson from the Stuttgart Ballet, and with the Eglevsky Ballet on Long Island, New York. Camilla has danced professionally with the Goh Ballet Company, Connecticut Ballet Theatre, Albany Berkshire Ballet, and the Vancouver Opera. She performed lead dancing roles in many Royal City Youth Ballet and Royal City Musical Theatre productions such as: The Nutcracker, Coppelia, Cinderella, Wizard of Oz, Brigadoon, Oklahoma, Guys and Dolls, and The King and I. In addition to dancing lead roles for Royal City Youth Ballet, she was the ballet mistress and later, Assistant Artistic Director, for the company. Upon getting married and moving to California, Camilla has been a featured dancer in The Glory of Christmas and The Glory of Easter at the Crystal Cathedral, and at Disneyland. In 2014, Camilla became the Artistic Director for the Royal City Youth Ballet. She has been enjoying teaching at Classical Dance Center since 2011. Camilla loves sharing her passion of dance with her students and also with her daughter, Aurora.
Orlando Agawin is a dancer and choreographer based in Los Angeles. He received his B.F.A. Degree in Dance from CSU Long Beach, where he trained with Keith Johnson, Lorin Johnson, Rebecca Lemme, and Sophie Monat. His performance credit includes the works by Sidra Bell, Doug Varone, Robert Moses, Luca Signoretti, Micaela Taylor, Malcom Sutherland, and Eve Ganneau. After graduating from CSULB, Orlando has worked freelance and as a guest artist in Los Angeles, Belgium, and South Korea. In 2017, he joined Dark Circles Contemporary Dance based in Dallas, Texas. He has learned multiple repertoire including the works by Joshua Peugh and Gabrielle Lamb. Additionally, he has attended intensives with Hubbard Street Dance Chicago, NW Dance Project, River North Dance Chicago, and San Francisco Conservatory of Dance.